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Murder, revenge, and international subterfuge

A wonderful book. Very detailed but also lucid.Two chapters: The Supreme Court of Massachusetts and the "Progressive Judge" are so wonderfully written that they deserve to be read twice.
I read the book over a period of four months which is something I rarely do. This is because the subject and content are so important that the philosophy of Holmes takes some time to perculate. White's description of Holmes influenced my perspective greatly.
I would recommend the book to any person interested in law or simply about America.


Interesting Twist On The Viking Saga

Informative and fun!

A must read for ANYONE in the quarter horse world!

Romance with Morality

A succinctly written study of lessons already learned

Excellent book for toddlers.

Radio Comes to LifeAuthor Ken Greenwald was one of those listeners, and one of his favorite shows growing up was Sherlock Holmes. For most of us, Basil Rathbone and Nigel Bruce will always be Holmes and Watson. The films and radio shows are still watched on late night TV and listened to by old-time radio buffs like myself.
When radio archivist Ken Greenwald and a small group of friends discovered a long list of missing radio shows from 1945, written by great radio writers Denis Green and Anthony Boucher, the idea of turning their origional radio scripts into short stories was born. Greenwald has done a marvelous job of blending the two distinct mediums together.
You can easily picture Rathbone and Bruce in these fun adventures as Greenwald has kept the fast pace of the radio plays while fleshing them out a bit and adding the transitions necessary for the short story form. Greenwald gives us a baker's dozen here. My personal favorites are "The Adventures of the Headless Monk" and "The Adventure of the Iron Box." The former is filled with the atmosphere of the foggy moors and just a dash of the supernatural, making this one a lot of fun. In the latter, Holmes hatches a clever scheme to solve a mystery shortly after the Christmas rush that will include, of all people, Sir Walter Scott!
How did Sherlock Holmes first meet Moriarity? Why in the world did Holmes buy that Sussex bee farm? Telling you which stories you'll find the answers to these questions would only ruin the fun. Enjoy!


"It shall always be Sherlock Holmes and Victorian England"Basil Rathbone was a "softer" version of Holmes. The original Sherlock could be hard and unfeeling - a machine as Watson often describes him.
That probably didn't play to audiences so, by comparison, Rathbone is just mildly eccentric. He's far more tolerant of the inability of Watson and others to keep up with him than is the original Sherlock.
It's a little as if someone had found the dichotomy betwen Hamlet's magnificent spirit and his fatal flaw disconcerting and had rewritten Shakespeare's classic to make Hamlet just a typical troubled young adult struggling with newfound freedom and responsibilties.
And Nigel Bruce's bumbling Watson is largely comic relief and equally unlike the original Conan Doyle version.
But at least the original radio playwrights kept the two heroes in late 19th century/early 20th century England. I think that most of the movies that Rathbone and Bruce made were set during World War II. I mean, no one could be a worthier contender against the Nazis than Sherlock Holmes, but still...
The story of how Holmes and Watson first meet Moriarty is unconvincing, as is the portrayal of Moriarty, and equally unconvincing is how, in "The April Fool's Adventure", Holmes finds all of the clues that the pranksters leave for him to find but doesn't see how they were intended to point to himself as the culprit. His inability to recognize himself is bewildering, and he must have forgotten to use his magnifying glass to look at the calendar.
But so what? When a classic is changed for mass market effect, the result is often disastrous, but not so here.
The bottom line is that all of the stories are very enjoyable. For all of the merit of the original Conan Doyle classics, they were written as a disagreeable chore to satisfy the public's demand for a character that Conan Doyle himself had quickly grown tired of.
These stories were crafted with a lot of love and care, and that might be why the two main characters themselves draw more affection than do the original versions.
Our debt to Conan Doyle for bringing us Sherlock Holmes is incalculable, but equally incalculable is our debt to his contemporaries for forcing the author to resurrect the great detective from (what we were led to believe was) the bottom of Reichenbach Falls. Perhaps the public also deserves credit for rescuing Holmes's humanity as well as his life from the clutches of his original creator, and perhaps this kinder, gentler Holmes is an example of this second rescue effort.
And speaking of Holmes's life, the last story in this collection provides a plausible explanation (entirely consistent with the Conan Doyle concordance) of why Sherlock Holmes cannot die. Literally. That's worth the price of admission, in and of itself.